Since 2015, I’ve been extremely interested in the music scene. Early on it was mostly Hip-Hop, however my tastes have gradually expanded into the Indie/Alternative, Rock, Electronic, Pop and Spanish music communities. My most notable clients include Purgion Inc., BeatClub, Bash Entertainment, Mad Lettuce Management and UnderCurrent Entertainment, however I’ve also worked with countless Talent Agents, Producers, and Managers.

A&R Consulting

Tour Management

I’ve had the pleasure of assisting TLC with their most recent tours on and off-site. I was the Assistant Tour Manager in 2019, 2022 and in 2024 I was the Assistant Tour and Production Manager. In 2023 I suffered a debilitating injury and wasn’t able to go on the road, but took on the role of data/analytics organization and analysis. I reviewed ticket counts and marketing materials, used predictive analytics to project spending and effectiveness, oversaw budgets and made suggestions and adjustments accordingly.

TLC- 2019 U.S. Tour


TLC- 2022 Europe Tour


TLC- 2024 Japan Tour


TLC- 2023 Hot Summer Nights Tour


Concert Promotion/Marketing

I started out by throwing parties in high-school when I was 16 and gradually elevated from AUX cord, to DJ’s, to live performing artists. My first large event was in 2017 when I had a lineup of multiple DJ’s and dubbed myself “Aftertaste Entertainment”. The culmination of my promotional career is selling out Station 1640 in Hollywood, with a lineup of Geller, Dj Holiday, OG Mac and Denzel Curry

Music Marketing

I started in 2022 as an assistant manager for Scooter Braun’s chief of staff, Zac Cohen. I helped with the band “Crash Adams” and was the senior manager for “Charles Moret” at the same time. From the underground to the upper echelon I learned marketing strategies from sitting in on calls with Warner Music, Ultra Records, Milk and Honey, How To Conterts, Born and Raised Entertainment, etc.

Music Production/

Engineering

I first tried my hand at producing in 2018 after I took a class in my senior year of high-school. Since then, not only have I been asked to produce for the artists I manage, I’ve established many relationships at local/national recording studios with fellow engineers and producers, loop makers, songwriters, artists, musicians, managers, A&R’s, etc.